And this is going to bring me into the Octane renderer, standard-or nodal texturing workflow.

And I'm going to select this material and hit get active matte. Let's go up here to objects, node editor. Oh, that's the Arnold Shader network, sorry. And one of the things is the Octane-I'm going to hit shift-C really quick and open up the network. Okay, so my Octane piece that I'm going to be talking about right now is just something that I kind of have hodgepodged together from working with a few other artists that use Octane, and some stuff that I figured out on my own. I'm going to do a few different things, a lot of it's going to be X-Particles-based, with a little bit of TurbulenceFD.

So yeah, let's go ahead and get into some presentation stuff. ” But this isn't LA guys this is downtown. And I'm so happy every time Cigraph is in this town, because it brings a lot of the creatives from outside of LA to LA, and we get to meet and mingle and stuff and they get to tell us, “oh, LA sucks. I live here in Los Angeles, the city that never sleeps. ♪ ♪ Yay! Thank you so much Adam, I love my new reel. So, let's go ahead and watch my reel so you can see some of the junk that I've worked on. I finally have a reel that's 60 seconds and looks like an editor did it and it doesn't have weird, off musical edits that I normally have and I'm super happy to have it. You guys want to see some of my work? A bud of mine, Adam Elder, just cut this reel for me and we're going to watch it together guys. Like following Cantina's ridiculous.like their work is so impressive. I am always filled with a great sense of pride to be considered worthy of presenting next to all these people that have done, rightly so, more than I could possibly imagine doing. Hey! Thanks again to Maxon for letting me come out to another one of these.

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